Adam Laloum


Adam Laloum received an international recognition by winning 1st Prize at the prestigious Clara Haskil Piano Competition. He then joined the class of Evgeni Koroliov in Hamburg who is himself 1st Prize Clara Haskil 1977.

Adam has the opportunity to perform in concerto with the Orchestre de Paris under Cornelius Meister, Belgium National Orchestra, Deutsches Sinfonieorchester under Nicholas Colon at the Berlin Philharmonie, Mariinsky Orchestra under Valery Gergiev, Orchestre Philharmonique de Radio France under Sir Roger Norrington, Verbier Festival Orchestra under Charles Dutoit, Orchestre du Capitole de Toulouse under Maxim Emelyanychev, Orchestre Philharmonique de Monte Carlo under Alain Altinoglu, Orchestre National de Bordeaux under Jaime Martin, Orchestre National de Lyon under Gabor Takacs-Nagy, Orchestre de la Suisse Romande under Jonathan Nott, Lüzerner Sinfonieorchester under James Gaffigan.

In recital, Adam Laloum is the guest of such festivals and halls as Théâtre des Champs-Elysées, Konzerthaus Berlin, Herkulessaal Münich, Lucerne Festival, SWR Schwetzinger Festspiele, Festival de la Roque d’Anthéron, Festival de Verbier, Klavier Festival Ruhr, Auditorium du Louvre, Wigmore Hall, Bad Kissingen Festival, Tonhalle Zürich, Mecklenburg-Vorpommern Festspiele, Festival Piano à Lyon, Sommets Musicaux de Gstaad, Festival de Colmar, Zermatt Festival, Festival Piano aux Jacobins, Société Chopin de Bern, Palais des Beaux-Arts de Bruxelles, Théâtre de Vevey, Folles Journées de Nantes, Tokyo, Bilbao etc…

Born in 1987, Adam starts the piano at the age of 10 and makes his musical studies at the Toulouse Conservatory, before starting at the Paris National Conservatoire in 2002 in the class of Michel Béroff. During his scholarship, Adam met and attended master classes of such personalities as Dmitri Bashkirov or Paul Badura-Skoda. He received his Diploma in June 2006 and continued at the Lyon CNSM.

A very fine and passionate chamber music partner Adam Laloum founded a piano trio – Trio les Esprits – with the cellist Victor Julien-Laferrière and the violinist Mi-sa Yang. Their next recording will be released for Sony Music Worldwide and will be dedicated to Schubert.

After a first CD with Brahms works (Mirare), Adam’s Schumann recording (Mirare) received a Diapason d’or of the Year, ffff by Télérama, the Grand Prix de l’Académie Charles Cros and 5 stars by Fono Forum in Germany.

His chamber music recording (Brahms both clarinet Sonatas and Trio with clarinet) with clarinettist Raphaël Sévère and cellist Victor Julien-Laferrière also received a Diapason d’or and ffff in Télérama.

Adam Laloum signed an exclusive contract with Sony Music Worldwide. His first recording for Sony was released in 2018 and includes the Two Brahms piano Concertos with the Rundfunk Sinfonieorchester Berlin under Kazuki Yamada.

Adam is the artistic director of the festival “Les Pages Musicales de Lagrasse” since 2015, a festival dedicated to the chamber music repertoire.


“On recordings, these emotional kaleidoscopes are the privilege of a few elected : Vladimir Horowitz, Claudio Arrau. Today Adam Laloum.”
ffff Télérama – Gilles Macassar – 29/09/2013


“The ineffable piano of this artist carries within him this song, this bit of madness, and the nostalgia that signed the unique art of Guiomar Novaes, Vladimir Horowitz , Clara Haskil, Wilhelm Kempff and a few others, including Catherine Collard, who was the queen of this repertoire (…) ”
Diapason d’Or – Diapason, Alain Lompech – October 2013


“Without a doubt, the way Laloum led his audience through this incredible ” Garden Fantasy “of musical colors and sensual impressions, was the peak of the evening and one of the highlights of the Munich concert season. Truly masterful! ”
Süddeutsche Zeitung – Recital Herkulessaal, Munich 2015

*****”All Schubert is there – in these oscillations between major and minor keys, these swings punctuated with silences, these confidences blown in your ear. He pierces the depths of a less serene music than it seems : this sudden modulation – as a cry! – in the second Moment Musical, or these insistent chords in the fifth, played not too fast, with a certain weight. The 6th Moment musical is disarmingly candid. A great Schubert. “

Time, Julian Sykes – Lucerne Festival 2013


“It is a real emotional journey, very enlightening and very addictive when it is as well.performed ”
Altamusica Gerard Manoni – Auditorium du Louvre in 2013